An analysis of west side story by jerome robbins

Because Robbins, as choreographer, insisted that his chorus reflect the racial diversity of a New York City crowd, On the Town broke the color bar on Broadway for the first time.

Jerome Robbins

With Fancy FreeRobbins created a dance that integrated classic ballet, s social dancing, and a screwball plotline. The show starred Zero Mostel as Tevye and ran for performances, setting the record since surpassed for longest-running Broadway show.

He took over the direction of two troubled productions during this period and helped turn them into successes. The family had many show business connections, including vaudeville performers and theater owners.

He nevertheless staged Les Noces for City Ballet inhis last project. Monotony and well-known ones like the "Tradition" number from Fiddler on the Roof. Because book, music, and dance were envisioned as an organic whole, the cast, in a Broadway first, had to be equally skilled as actors, singers, and dancers.

The musical is based loosely on the life of stripper Gypsy Rose Lee. The book and lyrics were by a team that Robbins would work with again, Betty Comden and Adolph Greenand the director was the Broadway legend George Abbott. The plot, about Jews living in Russia near the beginning of the 20th century, allowed Robbins to return to his religious roots.

He joined the company of Senya Gluck Sandor, a leading exponent of expressionistic modern dance; it was Sandor who recommended that he change his name to Robbins. He was awarded a fifth Tony Award for it.

Robbins re-teamed with Sondheim and Laurents, and the music was by Jule Styne. The musical helped turn lead Barbra Streisand into a superstar.

Robbins staged an entirely new opening number which explained to the audience what was to follow, and the show played successfully from then on.

Robbins began studying modern dance in high school with Alys [CK] Bentley, who encouraged her pupils to improvise steps to music. Later that year, Robbins conceived and choreographed On the Towna musical partly inspired by Fancy Free, which effectively launched his Broadway career.

Robbins, though willing to confess to past party membership, resisted naming names of others with similar political connections; he held out for three years until, according to two family members in whom he confided, he was threatened with public exposure of his homosexuality.

The streak of hits continued with Gypsystarring Ethel Merman. Soon after that he choreographed The Guests, a ballet about intolerance.

While he was forging a career on Broadway, Robbins continued to work in ballet, creating a string of inventive and stylistically diverse works including Interplay, to a score by Morton Gould, and Facsimile, to music by Leonard Bernstein, a ballet that was banned in Boston [CK].

Robbins recreated his stage dances for The King and I for the film version. Inhe took on a floundering Funny Girl and devised a show that ran performances. He died at his home in New York on July 29, Robbins created and performed in Fancy Freea ballet about sailors on liberty, at the Metropolitan Opera as part of the Ballet Theatre season in Opus Jazz and Moves.

Among the dances he created for it were N. In the early s, the Rabinowitz family moved to WeehawkenNew Jersey. Bernstein wrote the music and Smith designed the sets. He was cremated and his ashes were scattered on the Atlantic Ocean.

Robbins said in an interview with The Christian Science Monitor: Inhe conceived, choreographed, and directed West Side Story. On the evening of his death, the lights of Broadway were dimmed for a moment in tribute.

That same year, Robbins won Tony Awards for his direction and choreography in Fiddler on the Roof He was fired from the production as soon as principal photography was complete.

Death[ edit ] Robbins suffered a stroke in Julytwo months after the premiere of his re-staging of Les Noces. He also, according to dancer Linda Talcott Lee, "played psychological games" with the cast: The show, with music by Leonard Bernstein, marked the first collaboration between Robbins and Stephen Sondheimwho wrote the lyrics, as well as Arthur Laurentswho wrote the book.

In the s, their name was legally changed to Robbins.

West Side Story

Sandor also encouraged him to take ballet, which he did with Ella Daganova; in addition he studied Spanish dancing with Helen Veola; Asian dance with Yeichi Nimura; and dance composition with Bessie Schonberg. To help the young cast grow into their roles, Robbins did not allow those playing members of opposite gangs Jets and Sharks to mix during the rehearsal process.

Robbins was still highly sought after as a show doctor. Robbins became ballet master of the New York City Ballet in and worked almost exclusively in classical dance throughout the next decade, pausing only to stage revivals of West Side Story and Fiddler on the Roof Get all the details on West Side Story: Dance.

Description, analysis, and more, so you can understand the ins and outs of West Side Story. Skip to navigation; Skip to content West Side Story () directed by Jerome Robbins and Robert Wise.

Home / Movies / West Side Story / Analysis /. Transcript of Copy of Westside story by Jerome Robbins Analysis of West side story The choreographic style embraces the themes in the musical - athletic masculine movement helps to emphasize the rivalry between the jets (Americans) and the sharks (Puerto Rican).

The creation of West Side Story was an extended process, involving decades of work, long periods of drought, and the collaboration of four of American musical theatre’s greatest standalone talents. The original idea for the musical came from director/choreographer Jerome Robbins, who wanted to adapt Shakespeare’s Romeo and Juliet into a musical about the conflict between and Irish Catholic.

West Side Story West Side Story Analysis 'The Creatives' There are many people behind the making of West Side Story (film).

The film required a number of cast ans crew but the main creators were Story: Arthur Laurents Director(s): Jerome Robbins & Robert. A PLACE FOR WEST SIDE STORY (): GENDER, RACE, AND TRAGEDY the film version of West Side Story premiered in Jerome Robbins, choreographer and director for the Broadway production, Joseph P.

Swain spend an entire chapter on. Jerome Robbins (October 11, – July 29, ) was an American choreographer, director, dancer, West Side Story did, however, earn Robbins his second Tony Award for choreography.

The streak of hits continued with Gypsy (), starring Ethel of death: Stroke.

An analysis of west side story by jerome robbins
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